Paintings (painting by the artist Ivan Nenov Maiden) |
1971, Paintings (painting by the artist Ivan Nenov Maiden) 1 Bulgarian stotinka
Text: Paintings (painting by the artist Ivan Nenov Maiden) 1 CT
Condition: Ø = used/cancelled
Title: Paintings
Face value: 1
Stamp Currency: Bulgarian stotinka
Country/area: Bulgaria
Year: 1971
Set: 1971
Paintings
Stamp number in set: 1
Basic colour: Multi-coloured
Exact colour:
Usage:
Franking
Type: Stamp
Theme: Paintings
Stamp subject: painting by the artist Ivan Nenov
Michel number: 2106
Yvert number:
Scott number:
Stanley Gibbons number:
Printing office:
Perforation: K 14
Printing: Photogravure
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Ivan Nenov "Maiden", one stamp
from series,
A life of 95 years in 100 artworks: these
are the naked facts about the troubled life and career of Ivan Nenov featured
by a jubilee exhibition, unveiled on 24 April at the Sofia City Art Gallery on
the occasion of the 110th anniversary of the painter. The show runs until 10
June. This is the most extensive retrospective ever staged of the work of one
of the greatest Bulgarian painters, representing a key milestone in Bulgarian
twentieth-century art.
During his lifetime, Ivan Nenov never
enjoyed the benefit of a solo exhibition. Just the other way around, all
attempts at displaying his paintings were thwarted.
A team of experts has worked to fill in
the blanks in his work, which is a rare occasion. All big state-run galleries
as well as private collectors lent his artworks. The documentary aspect of the
exhibition was borrowed from the Archives State Agency. It features drawings
and sketches, awards, diplomas and photographs, related to the artist's life
and career. Some of them are exhibited for the first time.
The relatively small number of artworks,
which Ivan Nenov left behind, is due to the fact that his studio was reduced to
ashes in the bombings of Sofia in the early 1940s. In the 1950s he was 'silenced'
as he was condemned for being a 'formalist' and did not exhibit for decades.
Presently, visitors can see his Self-Portrait,
his graduation work from the School of Fine Arts, Sofia. Among his earliest
works in classical style, the portrait of his wife Ekaterina Savova, also an
artist, is the most interesting one. Along with that, in the 1920s he painted
in the vein of Art Nouveau, which was all the vogue at the time. Parallels with
Picasso could be drawn in Embrace (1936) and with post-cubism and futurism in
Signora Rossi, Lola and Summer. Alongside are the quite realistic Portrait of A
Gypsy Woman and the famous Maiden, a work favoured by the art critics in the
socialist era.
A group of paintings, which have become
Ivan Nenov's hallmark, is central to the exhibition: women in front of mirrors
or the famous balconies of Sozopol with views of the sea. These have been rendered
in a special translucent tonality transmitting exquisite airiness to the works.
It is a special technique, which he developed and which is inimitable, so his
paintings cannot be faked.
Ivan Nenov was the first Bulgarian artist
to discover the non-utilitarian function of ceramics making earthenware into artworks. In the 1950, he immersed himself into the art of pottery as he was
dismissed from the National Academy of Fine Arts and prohibited from exhibiting
his paintings. Unlike many of his colleagues, he would never compromise. He was
not afraid to be left all alone within the walls of his studio to pay the high
price at which freedom comes.
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